Classic disturbing movies
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Audition
http://youtu.be/yhsrsWcEspc
Cannibal Holocaus
http://youtu.be/LQYqgKTJmBQ
120 days of ?
http://youtu.be/VLdO-qkY1pQ
Some unbearably scathing flicks, including several on this here countdown, parcel their shocks throughout the course of their running time; Salò, however, never steps out for air. From top to bottom, notorious Italian director Pier Paolo Pasolini’s relentless “statement” film subjects the viewer to uncompromising cruelty, nastiness, and escalating grotesqueries. It’s not an exaggeration to say that Salò’s only moments of calm are its opening and closing credits, though the latter’s more apt to serve as the background noise for one’s inability to pick his or her jaw off the floor.
Based on the Marquis de Sade’s 1785 book The 120 Days Of ? , Salò’s plot is skeletal: Four powerful Italian men kidnap nine teenage boys and nine teenager girls, trap them in a huge mansion, and wreak unholy havoc on them for four months. Salò depicts every disgusting act perpetrated by the elders, including, in no particular order: heads are scalped, tongues are cut off, eyeballs are snipped out, one girl is forced to eat feces, and several poor ? are ? in front of large crowds.
Pasolini, intending to make vicious points about fascism, shows everything, avoiding tricky edits in favor of steady-cam, front-and-center shots of each and every sick visual. One watch is all it takes for Salò to burn itself into your memory for years hence. Just writing about it makes us want to take a shower.
http://youtu.be/yhsrsWcEspc
When a middle-aged widower named Aoyama attempts to find love again, his movie producer friend sets up a fake casting audition to find him his next great love. Unbeknownst to them, he falls immediately for a deranged killer named Asami. After going on a few dates, Asami drugs and tortures Aoyama in one of the most uncomfortable and cringe-worthy scenes to ever be put on film.
After brutally poking and prodding him with elongated needles for what feels like an eternity, she then proceeds to stick a few right into his eyes. Then, as a sickening smirk begins to creep across her face, she cuts off his feet with a wire saw. It’s this scene alone that has made Audition a cult favorite for fans of horror/torture flicks everywhere. But we don’t suggest checking out this movie if watching dismemberments and eye torture doesn’t bring sadistic glee to your life.
After brutally poking and prodding him with elongated needles for what feels like an eternity, she then proceeds to stick a few right into his eyes. Then, as a sickening smirk begins to creep across her face, she cuts off his feet with a wire saw. It’s this scene alone that has made Audition a cult favorite for fans of horror/torture flicks everywhere. But we don’t suggest checking out this movie if watching dismemberments and eye torture doesn’t bring sadistic glee to your life.
Cannibal Holocaus
http://youtu.be/LQYqgKTJmBQ
t You’ve got to give it to director Ruggero Deodato—he’s not a dishonest filmmaker. Just look at what he titled this one: Cannibal Holocaust. That right there implies all kinds of revolting imagery and depraved thoughts, which Deodato’s infamous exploitation flick delivers in bulk. It’s not like he called it Fun in the Jungle.
The only people having a good time in Cannibal Holocaust are the indigenous tribe members who tear through the fictional documentary crew at the movie’s center. Posited as a found-footage exercise, Deodato’s controversial picture supposedly shows footage from a missing team’s last days within an Amazonian jungle. What starts out as an all-access project meant to cover the cannibalistic tribe’s everyday practices quickly descends into the systematic killing of the documentarians.
Though, they had it coming: The men of the group ? one of the young female tribe members, which deletes her purity and causes her elders to impale her on a totem pole. As revenge, the Yanomamo natives chow down on one guy like his innards are a buffet and ? the crew’s sole lady before lopping off her head. Vegetarian Delight it’s not.
The only people having a good time in Cannibal Holocaust are the indigenous tribe members who tear through the fictional documentary crew at the movie’s center. Posited as a found-footage exercise, Deodato’s controversial picture supposedly shows footage from a missing team’s last days within an Amazonian jungle. What starts out as an all-access project meant to cover the cannibalistic tribe’s everyday practices quickly descends into the systematic killing of the documentarians.
Though, they had it coming: The men of the group ? one of the young female tribe members, which deletes her purity and causes her elders to impale her on a totem pole. As revenge, the Yanomamo natives chow down on one guy like his innards are a buffet and ? the crew’s sole lady before lopping off her head. Vegetarian Delight it’s not.
120 days of ?
http://youtu.be/VLdO-qkY1pQ
Some unbearably scathing flicks, including several on this here countdown, parcel their shocks throughout the course of their running time; Salò, however, never steps out for air. From top to bottom, notorious Italian director Pier Paolo Pasolini’s relentless “statement” film subjects the viewer to uncompromising cruelty, nastiness, and escalating grotesqueries. It’s not an exaggeration to say that Salò’s only moments of calm are its opening and closing credits, though the latter’s more apt to serve as the background noise for one’s inability to pick his or her jaw off the floor.
Based on the Marquis de Sade’s 1785 book The 120 Days Of ? , Salò’s plot is skeletal: Four powerful Italian men kidnap nine teenage boys and nine teenager girls, trap them in a huge mansion, and wreak unholy havoc on them for four months. Salò depicts every disgusting act perpetrated by the elders, including, in no particular order: heads are scalped, tongues are cut off, eyeballs are snipped out, one girl is forced to eat feces, and several poor ? are ? in front of large crowds.
Pasolini, intending to make vicious points about fascism, shows everything, avoiding tricky edits in favor of steady-cam, front-and-center shots of each and every sick visual. One watch is all it takes for Salò to burn itself into your memory for years hence. Just writing about it makes us want to take a shower.
Comments
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Aftermath
http://youtu.be/AIIf0WAzwTsOrchestrated by Spanish filmmaker Nacho Cerdà, Aftermath is a dialogue-free showcase of pointless immorality, albeit of the well-shot and hypnotically contemptible kind. In a darkly lit morgue, a nameless mortician stays after hours to further defile a female corpse after performing an extremely gory autopsy on the body. He probes her privates with his instruments, mutilates the body, and then adds necrophilia to his portfolio, snapping photos as he penetrates the stiff. Once he’s finished, the world’s worst mortician removes the woman’s heart and heads home to feed it to his dog. The end.
With no words spoken, Aftermath relies on its images to drive Cerdà’s vision of casual horror—mission uncomfortably accomplished. The short film’s visuals will sear into your brain, but what Aftermath reminds us about is actually far worse. After we die, what happens next is out of our hands; any sicko can take cues from Cerdà’s work here and desecrate our remains, and there’s nothing any of us can do about it. Or at least we think that’s the point of Aftermath. Admittedly, we were too busy gagging to analyze it for any rich subtext.
Requiem for a Dream
http://youtu.be/Y6gPvY_ZYr4Being perhaps the most grounded, and therefore horrifying, depiction of drug addition to ever be put on film, Requiem for a Dream is a stylized psychological thriller that shows the desperation of people chasing the dragon. Putting its focus on the lives of four addicts, Darren Aronofsky digs deep into the dark and twisted world these people inhabit and the self-made prisons of their own lives.
What Aronofsky does to make this a disturbing classic is that he is completely unflinching in the physical and psychological depictions of all of these characters. Their paranoid, depraved actions get under your skin right from the start as we witness these once-well-adjusted people spiral out of control.
Between Jared Leto’s gangrenous arm and Jennifer Connelly’s infamous sex show scene, there are images throughout this film that will stick with you well after the closing credits. Add the appropriately pounding score by Clint Mansell and you have one of the most vile, yet engrossing, movies to ever tackle the subject.
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Angel Heart
http://www.youtube.com/watch?v=DTC9Lt3hiWo
Grimm Love may be the sickest I seen
http://www.youtube.com/watch?v=n_w5ptSLvNU -
Angel Heart
http://www.youtube.com/watch?v=DTC9Lt3hiWo
Grimm Love may be the sickest I seen
http://www.youtube.com/watch?v=n_w5ptSLvNU
Props i never saw these 2 before -
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damn
Im tame compared to you dudes.
I was gonna say A Serbian Film, Old Boy, and Irreversible -
Caligula.
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only movies i've seen are requiem for a dream, audition & angel heart....miss me with that other ? . i wouldn't ever wana get used to seeing ? like that.
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I guess i'll add on
Nekromantik
http://www.youtube.com/watch?v=q8iyMxTeB2Y
Martyrs
http://www.youtube.com/watch?v=lNpDiQimK6U -
Seen audition, cannibal holocaust, & aftermath. But anyone ever seen anyone of the Japanese Guenia Pig Movies???!!!
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yall ? sick if stuff like this entertains you
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The most ? up movie I seen probably is Last House on the Left, and not the remake the original made by Wes Craven. That movie was on some other ? .