Why Nastradamus Is Better Than You Think
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in The Reason
Nas' fourth solo LP Nastradamus gets a bad rap. Revisiting the 15-year-old work proves it's not quite the epic fail its made out to be
Nas is arguably the best pure MC ever in terms of raw skill, a combination of insight and evocative storytelling ability previously unseen in hip-hop. He’s the creator of what’s regarded as the genre’s best debut and most celebrated album ever in Illmatic. With that said, he might also be responsible for creating its most highly-anticipated follow-up project with It Was Written. By the close of the ‘90s, he was cemented as an elite artist, a status that was unquestioned until he released two albums in the century’s final year, I Am… and Nastradamus. The latter has been condemned and become the source of more than a decade’s worth of snaps at Nas' expense. But on the 15th anniversary of its release, here’s something to consider: Is Nastradamus really as horrible as many say it is?
The short, difficult-to-accept answer, is no.
Nastradamus isn’t a good album for an artist of Nas’ caliber and is definitely the weakest link in his catalog, but it isn’t the universally-panned abomination that most make it out to be. In fact, it wasn’t even universally-panned—the reception was mixed.
"On his second album of 1999, Nastradamus, this gangsta griot balances apocalyptic boho poetry and roughneck gun talk with a sniper's precision and a philosopher's depth," Matt Diehl wrote for Entertainment Weekly, which graded the album A-. "Amid inner-city symphonics, blaxploitation wahwah guitars, soul vocalizing, and Toto samples, Nas raps tales of betrayal, paranoia, honor, and redemption that would give Scarface pause."
Other critics found the album to be simply ordinary, but, of course, there were also unfavorable reviews. Writing for Rolling Stone, Kevin Powell said Nas had "gone from being a leader of the new school to being a follower." He closed his review with the assertion that the album "offers little in the way of prophecy, and even less for the next chapter in hip-hop."
What I’ve found is that many peers and people I’ve engaged in random music discussions about Nastradamus listened to reviews (the negative ones, especially) of the album and the opinions of others, not the actual album. Or took Jay Z's indictment of half of Nas' early, post-Illmatic works on "Takeover" as the holy grail. In some cases, I’ve even played select cuts for people who previously lambasted it, only for them to acknowledge that they aren’t terrible. It’s a sad lesson on group think, as well as how music criticism makes some believe they don’t have to think for themselves.
There are bad songs on Nastradamus, but fewer than acknowledged. Of the 15 tracks, two are poor and one is flat-out terrible. "You Owe Me," which everyone references first, and "Nastradamus," the lead single, fall into the first category. Nas and Ginuwine were a strange pairing on the former, and Timbaland’s production would’ve been better suited for a different artist. "Nastradamus" borrows the same J.B.’s sample EPMD used on "Let the Funk Flow" and might’ve been better received if Nas didn’t try to sing the hook. The worst song on Nastradamus is "Big Girl," a poorly-conceived idea that violates the Stylistics’ original which inspired it. But what critics (professional and self-appointed) forget or just don’t acknowledge is that there are good—even great—songs on this album.
Despite its denunciation, Nastradamus contains one of Nas’ best creations. "Project Windows" is a definitive Nas offering, as he reflects on the madness which shaped his perspective with a detached, yet intricate awareness that’s alarming considering the subject matter. The gloomy piano keys and Ronald Isley’s pained background vocals add to the gloom, creating the perfect audio depiction of a dreary, 40-degree day in the Queensbridge Houses captured in black and white. Nas and DJ Premier have formed one of hip-hop’s most rewarding unions since first teaming up on Illmatic, and "Come Get Me" is another great collaboration. Premo’s triumphant production is the perfect compliment to Nas’ defiance: "Power and crime, thugs slingin’ powder and dimes/Twenties of D, is yo’ ? wilder than mine?" he asks on the opening verse. Lyrically, he was as sharp as he’d always been.
On "Some of Us Have Angels," Nas riffs on the blessings that save the lucky, while lamenting the ills that destroy others. He personifies a jail cell on "Last Words" ("Convicts think they alone/but if they listen close, they can hear me groan/touch the wall feel my pulse"), revisiting the literary technique he first explored on an earlier Premo collaboration, the brilliant "I Gave You Power." His Queensbridge brethren Mobb Deep appear on "Family," which isn’t as fondly remembered as their other joint efforts—"Eye For an Eye (Your Beef Is Mines)," "Live ? Rap," and the Scarface-influenced "It’s Mine"—as they’re included on superior projects. Still, at worst, it’s average.
Awkward production keeps "Life We Chose" from being great, which remains unfortunate because Nas proffers great insight: "Is love a four-letter word that deceives the ear?" Meanwhile, a goofy hook and Christmasy melody stunts the twisted "Shoot ‘Em Up," knocking it down to average like the remaining tracks: "? Love Us," "Quiet ? ," and "New World."
Nastradamus is undoubtedly Nas’ worst album, inferior to the works which preceded it, as well as those that followed. Though it remains the lowlight on his résumé, it’s largely mediocre rather than the monumental disaster that it’s accepted as. Some critics doused the album with hyperbolic lighter fluid and set it ablaze, compelling many to simply take their word for it, judging the album without listening to anything outside of the singles or other’s words. Luckily for Nas, he’s at peace with the hate.
"On that album, there’s a couple of songs that have a certain sound to it that doesn’t sound like anything else I’ve done," he explained to Rolling Stone. "And it was a gray area in my life and that album represents that gray area. It was personal stuff that I'd rather not elaborate on. But I have nothing against that album."
The inconvenient truth about Nastradamus is that if the original I Am… wasn’t bootlegged, then Nas wouldn’t have abandoned songs that later helped comprise the superb Lost Tapes, record new material, and rush to complete what ended up being Nastradamus.
"I Am…, [released earlier that year], was originally supposed to be a double album, but the songs leaked and that killed it for me. I didn’t want to touch it," Nas said. "I hated that because no one’s supposed to hear a song before it’s time, so if that happens, I didn't ? with the record. It’s over. The record never existed. So I went and started brand new music."
Nas is arguably the best pure MC ever in terms of raw skill, a combination of insight and evocative storytelling ability previously unseen in hip-hop. He’s the creator of what’s regarded as the genre’s best debut and most celebrated album ever in Illmatic. With that said, he might also be responsible for creating its most highly-anticipated follow-up project with It Was Written. By the close of the ‘90s, he was cemented as an elite artist, a status that was unquestioned until he released two albums in the century’s final year, I Am… and Nastradamus. The latter has been condemned and become the source of more than a decade’s worth of snaps at Nas' expense. But on the 15th anniversary of its release, here’s something to consider: Is Nastradamus really as horrible as many say it is?
The short, difficult-to-accept answer, is no.
Nastradamus isn’t a good album for an artist of Nas’ caliber and is definitely the weakest link in his catalog, but it isn’t the universally-panned abomination that most make it out to be. In fact, it wasn’t even universally-panned—the reception was mixed.
"On his second album of 1999, Nastradamus, this gangsta griot balances apocalyptic boho poetry and roughneck gun talk with a sniper's precision and a philosopher's depth," Matt Diehl wrote for Entertainment Weekly, which graded the album A-. "Amid inner-city symphonics, blaxploitation wahwah guitars, soul vocalizing, and Toto samples, Nas raps tales of betrayal, paranoia, honor, and redemption that would give Scarface pause."
Other critics found the album to be simply ordinary, but, of course, there were also unfavorable reviews. Writing for Rolling Stone, Kevin Powell said Nas had "gone from being a leader of the new school to being a follower." He closed his review with the assertion that the album "offers little in the way of prophecy, and even less for the next chapter in hip-hop."
What I’ve found is that many peers and people I’ve engaged in random music discussions about Nastradamus listened to reviews (the negative ones, especially) of the album and the opinions of others, not the actual album. Or took Jay Z's indictment of half of Nas' early, post-Illmatic works on "Takeover" as the holy grail. In some cases, I’ve even played select cuts for people who previously lambasted it, only for them to acknowledge that they aren’t terrible. It’s a sad lesson on group think, as well as how music criticism makes some believe they don’t have to think for themselves.
There are bad songs on Nastradamus, but fewer than acknowledged. Of the 15 tracks, two are poor and one is flat-out terrible. "You Owe Me," which everyone references first, and "Nastradamus," the lead single, fall into the first category. Nas and Ginuwine were a strange pairing on the former, and Timbaland’s production would’ve been better suited for a different artist. "Nastradamus" borrows the same J.B.’s sample EPMD used on "Let the Funk Flow" and might’ve been better received if Nas didn’t try to sing the hook. The worst song on Nastradamus is "Big Girl," a poorly-conceived idea that violates the Stylistics’ original which inspired it. But what critics (professional and self-appointed) forget or just don’t acknowledge is that there are good—even great—songs on this album.
Despite its denunciation, Nastradamus contains one of Nas’ best creations. "Project Windows" is a definitive Nas offering, as he reflects on the madness which shaped his perspective with a detached, yet intricate awareness that’s alarming considering the subject matter. The gloomy piano keys and Ronald Isley’s pained background vocals add to the gloom, creating the perfect audio depiction of a dreary, 40-degree day in the Queensbridge Houses captured in black and white. Nas and DJ Premier have formed one of hip-hop’s most rewarding unions since first teaming up on Illmatic, and "Come Get Me" is another great collaboration. Premo’s triumphant production is the perfect compliment to Nas’ defiance: "Power and crime, thugs slingin’ powder and dimes/Twenties of D, is yo’ ? wilder than mine?" he asks on the opening verse. Lyrically, he was as sharp as he’d always been.
On "Some of Us Have Angels," Nas riffs on the blessings that save the lucky, while lamenting the ills that destroy others. He personifies a jail cell on "Last Words" ("Convicts think they alone/but if they listen close, they can hear me groan/touch the wall feel my pulse"), revisiting the literary technique he first explored on an earlier Premo collaboration, the brilliant "I Gave You Power." His Queensbridge brethren Mobb Deep appear on "Family," which isn’t as fondly remembered as their other joint efforts—"Eye For an Eye (Your Beef Is Mines)," "Live ? Rap," and the Scarface-influenced "It’s Mine"—as they’re included on superior projects. Still, at worst, it’s average.
Awkward production keeps "Life We Chose" from being great, which remains unfortunate because Nas proffers great insight: "Is love a four-letter word that deceives the ear?" Meanwhile, a goofy hook and Christmasy melody stunts the twisted "Shoot ‘Em Up," knocking it down to average like the remaining tracks: "? Love Us," "Quiet ? ," and "New World."
Nastradamus is undoubtedly Nas’ worst album, inferior to the works which preceded it, as well as those that followed. Though it remains the lowlight on his résumé, it’s largely mediocre rather than the monumental disaster that it’s accepted as. Some critics doused the album with hyperbolic lighter fluid and set it ablaze, compelling many to simply take their word for it, judging the album without listening to anything outside of the singles or other’s words. Luckily for Nas, he’s at peace with the hate.
"On that album, there’s a couple of songs that have a certain sound to it that doesn’t sound like anything else I’ve done," he explained to Rolling Stone. "And it was a gray area in my life and that album represents that gray area. It was personal stuff that I'd rather not elaborate on. But I have nothing against that album."
The inconvenient truth about Nastradamus is that if the original I Am… wasn’t bootlegged, then Nas wouldn’t have abandoned songs that later helped comprise the superb Lost Tapes, record new material, and rush to complete what ended up being Nastradamus.
"I Am…, [released earlier that year], was originally supposed to be a double album, but the songs leaked and that killed it for me. I didn’t want to touch it," Nas said. "I hated that because no one’s supposed to hear a song before it’s time, so if that happens, I didn't ? with the record. It’s over. The record never existed. So I went and started brand new music."
Comments
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Didn't read
But I like the album..
And I personally prefer it to HipHop Is Dead
http://youtu.be/nawIZ4aJ4no
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didn't read all dat sh*t
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It's not a bad album but Nas standards are higher than most and it doesn't match that standard.
It still has a lot of punch. Some of Us Have Angels, Last Words, New World, Life We Chose, Shoot Em Up, etc are great cuts. -
Stop it. That ? is beyond awful. It's not only his worst album but one of the worst albums a great artist has ever made.
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one of the worst albums in hip hop history
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T.I. WISHES HE CAN MAKE AN ALBUM AS GOOD AS NASTRADAMUS
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T.I. WISHES HE CAN MAKE AN ALBUM AS GOOD AS NASTRADAMUS
Urban Legend, King, Paper Trail>>>>Nas' career -
aint readin all that ?
but shoot em up is a dope track -
I dont care if it is a weed plate. That ? was worth the 10.99 for the "Come Get Me" song alone pre download age.
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What's funny is this was actually the album i considered him the GOAT and haven't changed my opinion since.
And Lost Tapes only solidified that i wasn't trippin. -
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Project Windows is one of the best cuts in hip-hop. Overall it's a mediocre album from a great artist not a disaster that people like to make it out to be
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I think the main thing that really hurts it is the production. If some of us have angels had a different beat that joint would be way better.
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I read everything u wrote up until you started quoting other reviews.
Then i scrolled and scrolled and scolled...
You did too much bro -
Not his best album but still had some gems, I don't understand the hate for it online.
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weird this was posted cuz i drive over th road and listened to this like 4 times dis past week... streets disciple is better.... nastradamus 3 mic album imo ? love us classic tho
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No it's not as bad as people make it seem. Most people probably only heard it one time and just going with popular opinion. I actually enjoy a lot of records on this album.
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this ? doo doo grits for Nas standards
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[/i] prefer it to HipHop Is Dead
? smoking moonrocks
The irrational hate that HHID gets is hilarious.
Hip Hop is Dead is Nasir's 4th best album and you're trying to tell me Nastradamus is better?
Do me a favor and rank this ? albums for me from 1-10 (1-12 if you wanna count Lost Tapes and Distant Relatives).
I want to see you actually defend this claim of Nastradamus being better than HHID
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Yea, Nastradamus isnt as bad as mfs make it out to be, but you're buggin if you think its better than HHID.
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I think the main thing that really hurts it is the production. If some of us have angels had a different beat that joint would be way better.
Nastradoomus version was fire:
https://www.youtube.com/watch?v=RWC228bWI9Y
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Shut yo fake gangsta ass up
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I prefer it to is was written
I honestly thought it was good when I first heard it.then the IC had me thinkin I was trippin.? its got some dope cuts on it
Oh and why the ? would you write all that ? -
(Released on this day in 99)
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It's made by an jornalist